Îëèâüå, Ëîóðåíñ
| Ëîóðåíñ Îëèâüå | |
| Laurence Olivier | |
 Ôîòî 1972 ãîäà. Ôîòîãðàô Allan Warren |
|
| Èìÿ ïðè ðîæäåíèè: |
Ëîóðåíñ Êåðð Îëèâüå |
|---|---|
| Äàòà ðîæäåíèÿ: | |
| Ìåñòî ðîæäåíèÿ: | |
| Äàòà ñìåðòè: | |
| Ìåñòî ñìåðòè: |
Ñòàéíèíã, Çàïàäíûé Ñóññåêñ, Âåëèêîáðèòàíèÿ |
| Ãðàæäàíñòâî: | |
| Ïðîôåññèÿ: |
àêò¸ð, êèíîðåæèññ¸ð |
| IMDb: | |
Ëîóðåíñ Êåðð Îëèâüå, áàðîí Îëèâüå (àíãë. Laurence Kerr Olivier, Baron Olivier [ˈlɒrəns ɵˈlɪvi.eɪ], 22 ìàÿ 1907 â 11 èþëÿ 1989) â áðèòàíñêèé àêò¸ð òåàòðà è êèíî, ðåæèññ¸ð, ïðîäþñåð. Îäèí èç êðóïíåéøèõ àêò¸ðîâ XX âåêà, èãðàâøèõ øåêñïèðîâñêèé ðåïåðòóàð. Âûñòóïàë òàêæå â ñïåêòàêëÿõ ïî àíòè÷íîé äðàìàòóðãèè, â ïîñòàíîâêàõ ñîâðåìåííûõ àìåðèêàíñêèõ è áðèòàíñêèõ ïüåñ.
Ñîäåðæàíèå |
[ïðàâèòü] Áèîãðàôèÿ
Ëîóðåíñ Îëèâüå ðîäèëñÿ 22 ìàÿ 1907 ãîäà â Äîðêèíãå, ãðàôñòâî Ñóððåé (Àíãëèÿ) â ñåìüå ñåëüñêîãî ñâÿùåííèêà. Íà÷àë âûñòóïàòü â òåàòðàõ ëîíäîíñêîãî Âåñò-ýíäà, èãðàë áîëåå 60 ëåò.
Áûë æåíàò òðèæäû: íà Äæèëë Ýñìîíä (1930â1940), Âèâüåí Ëè (1940â1960) è Äæîàí Ïëàóðàéò (ñ 1961 äî ñìåðòè).
[ïðàâèòü] Ôèëüìîãðàôèÿ
| Àêò¸ð | |||
|---|---|---|---|
| Ãîä | Íà ðóññêîì ÿçûêå | Íà ÿçûêå îðèãèíàëà | Ðîëü |
| 2004 | Íåáåñíûé êàïèòàí è ìèð áóäóùåãî | Sky Captain and the World of Tomorrow | äîêòîð Òîòåíêîïô (êîìïüþòåðíàÿ ðåêîíñòðóêöèÿ) |
| 1989 | Âîåííûé ðåêâèåì (ôèëüì) | War Requiem | ñòàðûé ñîëäàò |
| 1987â2008 | Áèîãðàôèÿ (ñåðèàë) | Biography | Ãàìëåò |
| 1986 | Ïåòð Âåëèêèé (ñåðèàë) | Peter the Great | Âèëüãåëüì Îðàíñêèé |
| 1985 | Äèêèå ãóñè 2 | Wild Geese II | Ðóäîëüô Ãåññ |
| 1984 | The Ebony Tower (ÒÂ) | Henry Breasley | |
| 1984 | Ïîñëåäíèå äíè Ïîìïåè (ñåðèàë) | The Last Days of Pompeii | Gaius |
| 1984 | Áàóíòè | The Bounty | Àäìèðàë Õóä |
| 1984 | A Talent for Murder (ÒÂ) | Dr. Anthony 'Tony' Wainwright | |
| 1983 | ×åëîâåê-çàãàäêà | The Jigsaw Man | Adm. Sir Gerald Scaith |
| 1983 | Âàãíåð (ñåðèàë) | Wagner | Pfeufer |
| 1983 | Mr. Halpern and Mr. Johnson (ÒÂ) | Joe Halpern | |
| 1983 | Êîðîëü Ëèð (ÒÂ) | King Lear | Êîðîëü Ëèð |
| 1982 | A Voyage Round My Father (ÒÂ) | Clifford Mortimer | |
| 1981 | Èí÷õîí | Inchon | Gen. Douglas MacArthur |
| 1981 | Âîçâðàùåíèå â Áðàéäñõåä | Brideshead Revisited | ëîðä Ìàð÷ìåéí |
| 1981 | Áèòâà òèòàíîâ | Clash of the Titans | Çåâñ |
| 1980 | A New Germany, 1933â1939 (ÒÂ) | ðàññêàç÷èê | |
| 1980 | Ïåâåö äæàçà | The Jazz Singer | Cantor Rabinovitch |
| 1979 | Äðàêóëà | Dracula | ïðîôåññîð Àáðàõàì Âàí Õåëüñèíã |
| 1979 | Ìàëåíüêèé ðîìàí | A Little Romance | Þëèóñ |
| 1978 | Ìàëü÷èêè èç Áðàçèëèè | The Boys from Brazil | Ezra Lieberman |
| 1978 | Áåòñè | The Betsy | Loren Hardeman |
| 1978 | Daphne Laureola (ÒÂ) | Sir Joseph | |
| 1978 | Ñóááîòà, âîñêðåñåíüå, ïîíåäåëüíèê | Saturday, Sunday, Monday (ÒÂ) | |
| 1977 | Come Back, Little Sheba (ÒÂ) | Doc Delaney | |
| 1977 | Ìîñò ñëèøêîì äàëåêî | A Bridge Too Far | Dr. Jan Spaander |
| 1977 | Èèñóñ èç Íàçàðåòà (ñåðèàë) | Jesus of Nazareth | Nicodemus |
| 1976 | Êîøêà íà ðàñêàë¸ííîé êðûøå (ÒÂ) | Cat on a Hot Tin Roof | Big Daddy |
| 1976 | Ñåìèïðîöåíòíûé ðàñòâîð | The Seven-Per-Cent Solution | ïðîôåññîð Äæåéìñ Ìîðèàðòè |
| 1976 | Ìàðàôîíåö | Marathon Man | Dr. Christian 'The White Angel' Szell â Christopher Hess |
| 1976 | The Collection (ÒÂ) | Harry | |
| 1975 | Äæåíòëüìåí-áðîäÿãà | The Gentleman Tramp | ðàññêàç÷èê |
| 1975 | Ëþáîâü ñðåäè ðóèí (ÒÂ) | Love Among the Ruins | Sir Arthur Glanville-Jones |
| 1974 | The Rehearsal | ||
| 1973 | Âåíåöèàíñêèé êóïåö | The Merchant of Venice (ÒÂ) | Shylock |
| 1973 | Long Dayâ™s Journey Into Night (ÒÂ) | James Tyrone, Sr. | |
| 1972 | Ëåäè Êàðîëèíà Ëýì | Lady Caroline Lamb | ãåðöîã Âåëëèíãòîí |
| 1972 | Èãðà íàâûëåò | Sleuth | Ýíäðþ Óàéê |
| 1971 | Íèêîëàé è Àëåêñàíäðà | Nicholas and Alexandra | ãðàô Âèòòå |
| 1970 | Òðè ñåñòðû | Three Sisters | äîêòîð Èâàí ×åáóòûêèí |
| 1969 | Òàíåö ñìåðòè | The Dance of Death | Edgar |
| 1969 | Äýâèä Êîïïåðôèëüä | David Copperfield (ÒÂ) | Mr. Creakle |
| 1969 | Áèòâà çà Àíãëèþ | Battle of Britain | Air Chief Marshal Sir Hugh Dowding |
| 1969 | Î, ÷òî çà ÷óäåñíàÿ âîéíà | Oh! What a Lovely War | Field Marshal Sir John French |
| 1969 | Male of the Species (ÒÂ) | ðàññêàç÷èê | |
| 1968 | Áàøìàêè ðûáàêà | The Shoes of the Fisherman | Ïåòð Èëüè÷ Êàìåíåâ |
| 1968 | Ðîìåî è Äæóëüåòòà | Romeo and Juliet | ðàññêàç÷èê, â òèòðàõ íå óêàçàí |
| 1966 | Äæèõàä | Khartoum | The Mahdi |
| 1965 | Îòåëëî | Othello | Îòåëëî |
| 1965 | Èñ÷åçíóâøàÿ Áàííè Ëåéê | Bunny Lake Is Missing | Ñóïåðèíòåíäàíò Íüþõàóñ |
| 1963 | Äÿäÿ Âàíÿ | Uncle Vanya | Ìèõàèë Àñòðîâ |
| 1962 | Ñåìåñòð èñïûòàíèé | Term of Trial | Graham Weir |
| 1961 | The Power and the Glory (ÒÂ) | ñâÿùåííèê | |
| 1960 | Ñïàðòàê | Spartacus | Ìàðê Ëèöèíèé Êðàññ |
| 1960 | Êîìåäèàíò | The Entertainer | Archie Rice |
| 1959 | Ëóíà è ãðîø | The Moon and Sixpence (ÒÂ) | Charles Strickland |
| 1959 | Ó÷åíèê äüÿâîëà | The Devilâ™s Disciple | Gen. John Burgoyne |
| 1958 | John Gabriel Borkman (ÒÂ) | John Gabriel Borkman | |
| 1957 | Ïðèíö è òàíöîâùèöà | The Prince and the Showgirl | Charles, the Prince Regent |
| 1956 | Korda Interviews (ÒÂ) | Interviewee | |
| 1955 | Ðè÷àðä Òðåòèé | Richard III | Ðè÷àðä III |
| 1953 | Îïåðà íèùèõ | The Beggarâ™s Opera | Captain MacHeath |
| 1953 | A Queen Is Crowned | ðàññêàç÷èê | |
| 1952 | Ñåñòðà Êåððè | Carrie | George Hurstwood |
| 1952 | Âîëøåáíûé ÿùèê | The Magic Box | Êîíñòåáëü 94-B |
| 1948 | Ãàìëåò | Hamlet | Ãàìëåò |
| 1944 | Ãåíðèõ V | Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France, The | Ãåíðèõ V |
| 1944 | Ýòîò ñ÷àñòëèâûé íàðîä | This Happy Breed | ðàññêàç÷èê, â òèòðàõ íå óêàçàí |
| 1943 | The Demi-Paradise | Èâàí Êóçíåöîâ | |
| 1942 | Malta G.C. | ðàññêàç÷èê | |
| 1941 | Words for Battle | îçâó÷êà | |
| 1941 | 49-ÿ ïàðàëëåëü | 49th Parallel | Johnnie â the Trapper |
| 1941 | Ëåäè Ãàìèëüòîí | That Hamilton Woman | Ëîðä Ãîðàöèî Íåëüñîí |
| 1940 | Ãîðäîñòü è ïðåäóáåæäåíèå | Pride and Prejudice | Ìèñòåð Äàðñè |
| 1940 | Ðåáåêêà | Rebecca | Ìàêñèì äå Óèíòåð |
| 1940 | 21 äåíü | 21 Days | Larry Durrant |
| 1939 | Ãðîçîâîé ïåðåâàë | Wuthering Heights | Õèòêëèôô |
| 1939 | Q Planes | Tony McVane | |
| 1938 | Ðàçâîä ëåäè Èêñ | The Divorce of Lady X | Everard Logan |
| 1937 | Ïëàìÿ íàä îñòðîâîì | Fire Over England | Michael Ingolby |
| 1936 | Çàâîåâàíèå âîçäóõà | Conquest of the Air | Vincent Lunardi |
| 1936 | Êàê âàì ýòî ïîíðàâèòñÿ | As You Like It | Orlando, Son of Roland de Boys |
| 1935 | Moscow Nights | êàïèòàí Èãíàòîâ | |
| 1933 | No Funny Business | Clive Dering | |
| 1933 | Perfect Understanding | Nicholas Randall | |
| 1932 | Westward Passage | Nicholas 'Nick' Allen | |
| 1931 | Æåíà Ïîòèôàðà | Potipharâ™s Wife | Straker |
| 1931 | Æåëòûé áèëåò | The Yellow Ticket | Julian Rolfe |
| 1931 | Friends and Lovers | Lieutenant Ned 'Neddie' Nichols | |
| 1930 | Too Many Crooks | The Man | |
| 1930 | The Temporary Widow | Peter Bille | |
| Ïðîäþñåð | ||
|---|---|---|
| Ãîä | Íà ðóññêîì ÿçûêå | Íà ÿçûêå îðèãèíàëà |
| 1978 | Daphne Laureola (ÒÂ) | |
| 1977 | Come Back, Little Sheba (ÒÂ) | |
| 1976 | Êîøêà íà ðàñêàëåííîé êðûøå (ÒÂ) | Cat on a Hot Tin Roof |
| 1976 | Collection, The (ÒÂ) | |
| 1957 | Ïðèíö è òàíöîâùèöà | Prince and the Showgirl, The |
| 1955 | Ðè÷àðä Òðåòèé | Richard III |
| 1953 | Îïåðà íèùèõ | Beggarâ™s Opera, The |
| 1948 | Ãàìëåò | Hamlet |
| 1944 | Êîðîëü Ãåíðèõ V | Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France, The |
| Ðåæèññ¸ð | ||
|---|---|---|
| Ãîä | Íà ðóññêîì ÿçûêå | Íà ÿçûêå îðèãèíàëà |
| 1976 | Hindle Wakes (ÒÂ) | |
| 1970 | Òðè ñåñòðû | Three Sisters |
| 1957 | Ïðèíö è òàíöîâùèöà | Prince and the Showgirl, The |
| 1955 | Ðè÷àðä Òðåòèé | Richard III |
| 1948 | Ãàìëåò | Hamlet |
| 1944 | Êîðîëü Ãåíðèõ V | Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France, The |
| Ñöåíàðèñò | ||
|---|---|---|
| Ãîä | Íà ðóññêîì ÿçûêå | Íà ÿçûêå îðèãèíàëà |
| 1955 | Ðè÷àðä Òðåòèé | Richard III |
| 1948 | Ãàìëåò | Hamlet |
| 1944 | Êîðîëü Ãåíðèõ V | Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France, The |
| Àêò¸ð: Èãðàåò ñàìîãî ñåáÿ | |||
|---|---|---|---|
| Ãîä | Íà ðóññêîì ÿçûêå | Íà ÿçûêå îðèãèíàëà | Ðîëü |
| 2007 | Never Apologize | èãðàåò ñàìîãî ñåáÿ, õðîíèêà | |
| 2007 | Áðàíäî (ÒÂ) | Brando | èãðàåò ñàìîãî ñåáÿ, õðîíèêà |
| 2004 | Revamping of Dracula, The (âèäåî) | õðîíèêà | |
| 2004 | Íåáåñíûé êàïèòàí è ìèð áóäóùåãî | Sky Captain and the World of Tomorrow | Dr. Totenkopf, õðîíèêà |
| 2001 | Larry and Vivien: The Oliviers in Love (ÒÂ) | õðîíèêà | |
| 2000 | Óèëüÿì Øåêñïèð | William Shakespeare | Hamlet / Henry V, õðîíèêà |
| 2000 | Ãðÿçü è ÿðîñòü | Filth and the Fury, The | èãðàåò ñàìîãî ñåáÿ, õðîíèêà |
| 1999 | Shylock | Shylock, õðîíèêà | |
| 1999 | Shakespeareâ™s Women & Claire Bloom (ÒÂ) | Richard III, õðîíèêà | |
| 1990 | Tales of Helpmann, The | èãðàåò ñàìîãî ñåáÿ, õðîíèêà | |
| 1989 | Darlings of the Gods (ÒÂ) | èãðàåò ñàìîãî ñåáÿ, õðîíèêà | |
| 1987 | Ìýðëèí Ìîíðî: Çà ïðåäåëàìè ëåãåíäû | Marilyn Monroe: Beyond the Legend | èãðàåò ñàìîãî ñåáÿ, õðîíèêà |
| 1986 | Ðåæèññ¸ð Óèëüÿì Óàéëåð | Directed by William Wyler | èãðàåò ñàìîãî ñåáÿ |
| 1985 | Golden Gong, The (ÒÂ) | õðîíèêà | |
| 1984 | Òðàãåäèÿ ó àëòàðÿ | Terror in the Aisles | õðîíèêà |
| 1976 | Magic of Hollywoodâ Is the Magic of People, The | èãðàåò ñàìîãî ñåáÿ | |
| 1974 | Ìèð â âîéíå (ñåðèàë) | World at War, The | èãðàåò ñàìîãî ñåáÿ â ðàññêàç÷èê |
| 1972 | Films of Robert Bolt, The | èãðàåò ñàìîãî ñåáÿ | |
| 1968 | Shoes of the Fisherman, The | èãðàåò ñàìîãî ñåáÿ, â òèòðàõ íå óêàçàí | |
| 1966 | Great Acting: Laurence Olivier (ÒÂ) | èãðàåò ñàìîãî ñåáÿ, õðîíèêà | |
| 1966 | Legend of Marilyn Monroe, The | èãðàåò ñàìîãî ñåáÿ, õðîíèêà, â òèòðàõ íå óêàçàí | |
| 1948â1971 | Toast of the Town (ñåðèàë) | èãðàåò ñàìîãî ñåáÿ | |
| 1943 | Volunteer, The | èãðàåò ñàìîãî ñåáÿ â impersonating a fish outside restaurant window | |
[ïðàâèòü] Áèáëèîãðàôèÿ
- Þòêåâè÷ Ñ. Êîðîëè è êðîòû: «Ãåíðèõ V» è «Ðè÷àðä ІІІ» Ëîóðåíñà Îëèâüå // Þòêåâè÷ Ñ. Øåêñïèð è êèíî. Ì.: Íàóêà, 1973. Ñ.14â32.
[ïðàâèòü] Ïðèçíàíèå è íàãðàäû
Êàâàëåð áðèòàíñêîãî îðäåíà «Çà çàñëóãè», ëàóðåàò ðÿäà ïðåìèé, â òîì ÷èñëå 2 «Îñêàðà» çà ëó÷øèé ôèëüì è ëó÷øóþ ãëàâíóþ ðîëü («Ãàìëåò», 1948), âñåãî íîìèíèðîâàëñÿ íà «Îñêàð» 14 ðàç; ëàóðåàò ïî÷¸òíîé íàãðàäû Àêàäåìèè çà ôèëüì «Ãåíðèõ V» (1944), 5 ïðåìèé «Ýììè», «Çîëîòîé ãëîáóñ», «BAFTA» (çà ëó÷øóþ ìóæñêóþ ðîëü â ôèëüìå «Ðè÷àðä III») è äðóãèõ.
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Ôîòî 1939 ã. Ôîòîãðàô Carl Van Vechten
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 ôèëüìå «Ãîðäîñòü è ïðåäóáåæäåíèå» (1940)
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Cóïåðèíòåíäàíò Íüþõàóñ â ôèëüìå «Ïðîïàâøàÿ Áàííè Ëåéê» (1965)
[ïðàâèòü] Ññûëêè
Íà Ýíöèêëîñêëàäå åñòü ìåäèàôàéëû ïî òåìå Ëîóðåíñ Îëèâüå- Ëîóðåíñ Îëèâüå (àíãë.) íà ñàéòå Internet Movie Database
- Ðè÷àðä Òðåòèé íàâñåãäà
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Ýòî çàãîòîâêà ñòàòüè îá àêò¸ðå èëè àêòðèñå. Âû ìîæåòå ïîìî÷ü ïðîåêòó, èñïðàâèâ è äîïîëíèâ å¸. |
| Ïðåìèÿ «Îñêàð» çà ëó÷øóþ ìóæñêóþ ðîëü | |
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Ãýðè Êóïåð (1941) · Äæåéìñ Êýãíè (1942) · Ïîë Ëóêàñ (1943) · Áèíã Êðîñáè (1944) · Ðýé Ìèëëàíä (1945) · Ôðåäðèê Ìàð÷ (1946) · Ðîíàëüä Êîëìàí (1947) · Ëîóðåíñ Îëèâüå (1948) · Áðîäåðèê Êðîóôîðä (1949) · Õîñå Ôåððåð (1950) · Õàìôðè Áîãàðò (1951) · Ãýðè Êóïåð (1952) · Óèëüÿì Õîëäåí (1953) · Ìàðëîí Áðàíäî (1954) · Ýðíåñò Áîðãíàéí (1955) · Þë Áðèííåð (1956) · Àëåê Ãèííåññ (1957) · Äýâèä Íèâåí (1958) · ×àðëòîí Õåñòîí (1959) · Áåðò Ëàíêàñòåð (1960) Ïîëíûé ñïèñîê · (1928â1940) · (1941â1960) · (1961â1980) · (1981â2000) · (2001 â íàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ «Çîëîòîé ãëîáóñ» çà ëó÷øóþ ìóæñêóþ ðîëü â äðàìà | |
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Ïîë Ëóêàñ (1943) Àëåêñàíäåð Íîêñ (1944) Ðýé Ìèëëàíä (1945) Ãðåãîðè Ïåê (1946) Ðîíàëüä Êîëìàí (1947) Ëîóðåíñ Îëèâüå (1948) Áðîäåðèê Êðîóôîðä (1949) Õîñå Ôåððåð (1950) Ôðåäðèê Ìàð÷ (1951) Ãýðè Êóïåð (1952) Ñïåíñåð Òðåéñè (1953) Ìàðëîí Áðàíäî (1954) Ýðíåñò Áîðãíàéí (1955) Êèðê Äóãëàñ (1956) Àëåê Ãèííåññ (1957) Äýâèä Íèâåí (1958) Ýíòîíè Ôðàí÷îçà (1959) Áåðò Ëàíêàñòåð (1960) Ïîëíûé ñïèñîê · (1943â1960) · (1961â1980) · (1981â2000) · (2001 â íàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ «Çîëîòîé ãëîáóñ» çà ëó÷øóþ ìóæñêóþ ðîëü âòîðîãî ïëàíà â Êèíîôèëüì | |
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Äæîðäæ ×àêèðèñ (1961) Îìàð Øàðèô (1962) Äæîí Õüþñòîí (1963) Ýäìîíä Î'Áðàéåí (1964) Îñêàð Âåðíåð (1965) Ðè÷àðä Àòòåíáîðî (1966) Ðè÷àðä Àòòåíáîðî (1967) Äýíèåë Ìýññè (1968) Ãèã ßíã (1969) Äæîí Ìèëëñ (1970) Áåí Äæîíñîí (1971) Äæîýë Ãðåé (1972) Äæîí Õàóñìàí (1973) Ôðåä Àñòåð (1974) Ðè÷àðä Áåíäæàìèí (1975) Ëîóðåíñ Îëèâüå (1976) Ïèòåð Ô¸ðò (1977) Äæîí Õ¸ðò (1978) Ìåëâèí Äóãëàñ / Ðîáåðò Äþâàëü (1979) Òèìîòè Õàòòîí (1980) Ïîëíûé ñïèñîê · (1943â1960) · (1961â1980) · (1981â2000) · (2001 â íàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ BAFTA çà ëó÷øóþ ìóæñêóþ ðîëü | |
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Ðàëüô Ðè÷àðäñîí (1952) · Äæîí Ãèëãóä (1953) · Êåííåò Ìîð (1954) · Ëîóðåíñ Îëèâüå (1955) · Ïèòåð Ôèí÷ (1956) · Àëåê Ãèííåññ (1957) · Òðåâîð Õîâàðä (1958) · Ïèòåð Ñåëëåðñ (1959) · Ïèòåð Ôèí÷ (1960) · Ïèòåð Ôèí÷ (1961) · Ïèòåð Îâ™Òóë (1962) · Äèðê Áîãàðä (1963) · Ðè÷àðä Àòòåíáîðî (1964) · Äèðê Áîãàðä (1965) · Ðè÷àðä Á¸ðòîí (1966) · Ïîë Ñêîôèëä (1967) Ïîëíûé ñïèñîê · (1952-1967, áðèòàíöû) · (19521967, èíîñòðàíöû) · (1968â1980) · (19812000) · (2001âíàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ BAFTA çà ëó÷øóþ ìóæñêóþ ðîëü âòîðîãî ïëàíà | |
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Èýí Õîëì (1968) · Ëîóðåíñ Îëèâüå (1969) · Êîëèí Óýëëàíä (1970) · Ýäâàðä Ôîêñ (1971) · Áåí Äæîíñîí (1972) · Àðòóð Ëîó (1973) · Äæîí Ãèëãóä (1974) · Ôðåä Àñòåð (1975) · Áðýä Äóðèô (1976) · Ýäâàðä Ôîêñ (1977) · Äæîí Õ¸ðò (1978) · Ðîáåðò Äþâàëü (1979) Ïîëíûé ñïèñîê · (1968â1979) · (1981â2000) · (2001âíàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ «Ýììè» çà ëó÷øóþ ìóæñêóþ ðîëü â ìèíè-ñåðèàëå èëè ôèëüìå (1952â1975) | |
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Òîìàñ Ìèò÷åëë (1952) · Ðîáåðò Êàììèíãñ (1954) · Ëëîéä Íîëàí (1955) · Äæåê Ïýëàíñ (1956) · Ïèòåð Óñòèíîâ (1957) · Ôðåä Àñòåð (1959) · Ëîóðåíñ Îëèâüå (1960) · Ìîðèñ Ýâàíñ (1961) · Ïèòåð Ôàëüê (1962) · Òðåâîð Õîâàðä (1963) · Äæåê Êëàãìåí (1964) · Àëüôðåä Ëàíò (1965) · Êëèôô Ðîáåðòñîí (1966) · Ïèòåð Óñòèíîâ (1967) · Ìåëâèí Äóãëàñ (1968) · Ïîë Ñêîôèëä (1969) · Ïèòåð Óñòèíîâ (1970) · Äæîðäæ Ê. Ñêîòò (1971) · Êåéò Ìèøåëü (1972) · Ëîóðåíñ Îëèâüå / Ýíòîíè ̸ðôè (1973) · Õýë Õîëáðóê / Óèëüÿì Õîëäåí (1974) · Ëîóðåíñ Îëèâüå / Ïèòåð Ôàëüê (1975) Ïîëíûé ñïèñîê · (1952â1975) · (1976â2000) · (2001 â íàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ «Ýììè» çà ëó÷øóþ ìóæñêóþ ðîëü â ìèíè-ñåðèàëå èëè ôèëüìå (1976â2000) | |
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Ýíòîíè Õîïêèíñ / Õýë Õîëáðóê (1976) · Ýä Ôëàíäåðñ / Êðèñòîôåð Ïëàììåð (1977) · Ôðåä Àñòåð / Ìàéêë Ìîðèàðòè (1978) · Ïèòåð Øòðàóññ (1979) · Ïàóýðñ Áóò (1980) · Ýíòîíè Õîïêèíñ (1981) · Ìèêêè Ðóíè (1982) · Òîììè Ëè Äæîíñ (1983) · Ëîóðåíñ Îëèâüå (1984) · Ðè÷àðä Êðåííà (1985) · Äàñòèí Õîôôìàí (1986) · Äæåéìñ Âóäñ (1987) · Äæåéñîí Ðîáàðäñ (1988) · Äæåéìñ Âóäñ (1989) · Õüþì Êðîíèí (1990) · Äæîí Ãèëãóä (1991) · Áî Áðèäæåñ (1992) · Ðîáåðò Ìîðñ (1993) · Õüþì Êðîíèí (1994) · Ðàóëü Õóëèÿ (1995) · Àëàí Ðèêìàí (1996) · Àðìàíä Àññàíòå (1997) · Ãýðè Ñèíèç (1998) · Ñòýíëè Òó÷÷è (1999) · Äæåê Ëåììîí (2000) Ïîëíûé ñïèñîê · (1952â1975) · (1976â2000) · (2001 â íàñòîÿùåå âðåìÿ) |
| Ïðåìèÿ «Ýììè» çà ëó÷øóþ ìóæñêóþ ðîëü âòîðîãî ïëàíà â ìèíè-ñåðèàëå èëè ôèëüìå (1975â2000) | |
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Ýíòîíè Êóýéë (1975) · Ýä Ôëàíäåðñ (1976) · Á¸ðäæåññ Ìåðåäèò (1977) · Õîâàðä Äà Ñèëüâà (1978) · Ìàðëîí Áðàíäî (1979) · Äæîðäæ Ãðèççàðä (1980) · Äýâèä Óîðíåð (1981) · Ëîóðåíñ Îëèâüå (1982) · Ðè÷àðä Êèëè (1983) · Àðò Êàðíè (1984) · Êàðë Ìîëäåí (1985) · Äæîí Ìàëêîâè÷ (1986) · Äýáíè Êîóëìåí (1987) · Äæîí Øè (1988) · Äåðåê Äæåéêîáè (1989) · Âèíñåíò Ãàðäåíèÿ (1990) · Äæåéìñ Ýðë Äæîíñ (1991) · Õüþì Êðîíèí (1992) · Áî Áðèäæåñ (1993) · Ìàéêë À. Ãóðäæèàí (1994) · Äîíàëüä Ñàçåðëåíä (1995) · Òîì Õàëñ (1996) · Áî Áðèäæåñ (1997) · Äæîðäæ Ê. Ñêîòò (1998) · Ïèòåð Îâ™Òóë (1999) · Õýíê Àçàðèà (2000) |
- Ïåðñîíàëèè ïî àëôàâèòó
- Ðîäèâøèåñÿ 22 ìàÿ
- Ðîäèâøèåñÿ â 1907 ãîäó
- Ðîäèâøèåñÿ â Ñóððåå
- Óìåðøèå 11 èþëÿ
- Óìåðøèå â 1989 ãîäó
- Óìåðøèå â Çàïàäíîì Ñóññåêñå
- Àêò¸ðû ïî àëôàâèòó
- Àêò¸ðû Âåëèêîáðèòàíèè
- Àêò¸ðû òåëåâèäåíèÿ Âåëèêîáðèòàíèè
- Àêò¸ðû XX âåêà
- Êèíîðåæèññ¸ðû ïî àëôàâèòó
- Êèíîðåæèññ¸ðû Âåëèêîáðèòàíèè
- Êèíîðåæèññ¸ðû XX âåêà
- Òåàòðàëüíûå ðåæèññ¸ðû ïî àëôàâèòó
- Òåàòðàëüíûå ðåæèññ¸ðû Âåëèêîáðèòàíèè
- Ëàóðåàòû ïðåìèè «Ýììè»
- Ðåæèññ¸ðû Âåëèêîáðèòàíèè
- Ëàóðåàòû ïðåìèè «Çîëîòàÿ ìàëèíà»
- Ëàóðåàòû ïðåìèè «Çîëîòîé ãëîáóñ»
- Ëàóðåàòû ïðåìèè BAFTA
- Ëàóðåàòû ïðåìèè «Îñêàð»
- Ëàóðåàòû ïî÷¸òíîé ïðåìèè «Îñêàð»
- Ëàóðåàòû ïðåìèè Ñåñèëÿ Á. Äå Ìèëëÿ
