«500 âåëè÷àéøèõ àëüáîìîâ âñåõ âðåì¸í» â îôîðìëåííàÿ â âèäå ñïèñêà ñòàòüÿ î ëó÷øèõ ìóçûêàëüíûõ àëüáîìàõ çà âñþ èñòîðèþ çâóêîçàïèñè, îïóáëèêîâàííàÿ 18 íîÿáðÿ 2003 ãîäà æóðíàëîì Rolling Stone[1].  ñîñòàâëåíèè ñïèñêà ïðèíèìàëè ó÷àñòèå 273 ÷åëîâåêà, ñðåäè êîòîðûõ áûëè èçâåñòíûå ìóçûêàíòû, êðèòèêè, ïðîäþñåðû è äðóãèå âëèÿòåëüíûå â ìóçûêàëüíîé èíäóñòðèè ëþäè â êàæäûé èç íèõ ïðåäëîæèë æóðíàëó 50 ñâîèõ ëþáèìûõ àëüáîìîâ. Ïîäâåäåíèå èòîãîâ ãîëîñîâàíèÿ ïðîèçâîäèëîñü êîìïàíèåé Ernst & Young, å¸ ýêñïåðòû ñïåöèàëüíî äëÿ ýòîãî ñîáûòèÿ ðàçðàáîòàëè îñîáóþ ñèñòåìó ïîäñ÷¸òà ðåçóëüòàòîâ, ñ ïîìîùüþ êîòîðîé áûëî îáðàáîòàíî áîëåå 1600 ðàçëè÷íûõ íàèìåíîâàíèé. Ïîëó÷èâøèéñÿ ñïèñîê íå èìååò æàíðîâûõ îãðàíè÷åíèé, ñðåäè åãî ïóíêòîâ âñòðå÷àþòñÿ ïîï, ðîê, ïàíê, ñêà, õåâè-ìåòàë, ñîóë, áëþç, ôîëê, äæàç, õèï-õîï, à òàêæå âñåâîçìîæíûå ñìåøåíèÿ ýòèõ ñòèëåé[2].  2005 ãîäó ñïèñîê áûë èçäàí â âèäå îòäåëüíîé êíèãè. Ýòîò âàðèàíò îòëè÷àëñÿ îò ïðåæíåãî íåìíîãèì â îí áûë äîïîëíåí âñòóïèòåëüíîé ÷àñòüþ, íàïèñàííîé Ñòèâåíîì Âàí Çàíäòîì, â êîòîðîé ðàññêàçûâàåòñÿ, íàïðèìåð, ÷òî äëÿ îñâîáîæäåíèÿ âîñüìè äîïîëíèòåëüíûõ ïîçèöèé àâòîðàìè áûëî ïðèíÿòî ðåøåíèå óáðàòü íåêîòîðûå ñáîðíèêè è îáúåäèíèòü äâå äîëãîèãðàþùèõ ïëàñòèíêè Ðîáåðòà Äæîíñîíà â îäíó.
Íåñìîòðÿ íà òî, ÷òî ìíåíèå Rolling Stone â îáëàñòè ïîäîáíûõ õèò-ïàðàäîâ âñåãäà ñ÷èòàëîñü íàèáîëåå àâòîðèòåòíûì, ìíîãèìè ëþäüìè, òåì íå ìåíåå, îáúåêòèâíîñòü ñïèñêà áûëà ïîäâåðãíóòà ñîìíåíèþ. Èçâåñòíûé ðîê-êðèòèê Äæèì ÄåÐîãàòèñ îòìåòèë èçëèøíþþ ëþáîâü æóðíàëà ê ìóçûêå 1960-õ è 1970-õ ãîäîâ, â 2004 ãîäó îí âûïóñòèë êíèãó, ñîñòîÿùóþ èç ñòàòåé ìîëîäûõ îáîçðåâàòåëåé, êîòîðûå ïðèçûâàëè áîðîòüñÿ ñ «èäîëàìè» è êðàéíå íåëåñòíî âûñêàçûâàëèñü î «êëàññèêå», â ÷àñòíîñòè îñïîðèëè ïðàâî àëüáîìà Sgt. Pepperâ™s Lonely Hearts Club Band íàõîäèòüñÿ íà ïåðâîì ìåñòå[3]. Òàê æå êàê è â äðóãèõ ïîõîæèõ ñïèñêàõ æóðíàëà, ïî÷òè âñå ïðåäñòàâëåííûå èñïîëíèòåëè èìåþò íåïîñðåäñòâåííîå îòíîøåíèå ê Âåëèêîáðèòàíèè èëè ÑØÀ, â òî âðåìÿ êàê íå àíãëîÿçû÷íûì ãðóïïàì óäåëåíî âñåãî äâå ñòðî÷êè: ýòî Trans-Europa Express íåìåöêîé ãðóïïû Kraftwerk (ïîçèöèÿ â„– 253) è àëüáîì êóáèíñêîé ãðóïïû Buena Vista Social Club ñ îäíîèì¸ííûì íàçâàíèåì (ïîçèöèÿ â„– 260). Êðîìå òîãî, â ïåðâîé ñîòíå ïðèñóòñòâóþò âñåãî ëèøü ïÿòü êîëëåêòèâîâ ñ æåíñêèì âîêàëîì.
[ïðàâèòü] Ñòàòèñòè÷åñêèå äàííûå
[ïðàâèòü] Èñïîëíèòåëè, ïðåäñòàâëåííûå íàèáîëüøèì êîëè÷åñòâîì àëüáîìîâ
[ïðàâèòü] Ñîîòíîøåíèå àëüáîìîâ ïî äåñÿòèëåòèÿì
- 1950-å è ðàíüøå â 29 àëüáîìîâ (5,8 %)
- 1960-å â 126 (25,2 %) (â òîì ÷èñëå 7 â äåñÿòêå)
- 1970-å â 183 (36,6 %) (â òîì ÷èñëå 3 â äåñÿòêå)
- 1980-å â 88 (17,6 %)
- 1990-å â 61 (12,2 %)
- 2000-å â 13 (2,6 %)
[ïðàâèòü] Ïîëíûé ñïèñîê
Íèæå ïðåäñòàâëåí ïîëíûé ñïèñîê àëüáîìîâ â îðèãèíàëüíîì âèäå.
Èç òðèäöàòè òð¸õ ñòóäèéíûõ àëüáîìîâ
Áîáà Äèëàíà â ñïèñêå ëó÷øèõ îêàçàëèñü äåñÿòü
Òâîð÷åñòâî áðèòàíñêîé áëþç-ðîê ãðóïïû
The Rolling Stones ïðåäñòàâëåíî â ñïèñêå äåñÿòüþ àëüáîìàìè
Èç âñåõ àëüáîìîâ áðèòàíñêîé ãðóïïû
The Who ñåìü óäîñòîèëèñü çâàíèÿ âåëè÷àéøèõ
Êðîìå ïÿòè ñòóäèéíûõ àëüáîìîâ
Äýâèäà Áîóè â ñïèñîê ëó÷øèõ ïîïàë åù¸ è îäèí åãî ñáîðíèê
Ñòàòèñòèêó Áîóè ïîâòîðÿåò
Ýëòîí Äæîí, ó íåãî òîæå ïÿòü ñòóäèéíûõ àëüáîìîâ è îäèí ñáîðíèê
| â„– |
Àëüáîì |
Èñïîëíèòåëü |
Ãîä |
| 1 |
Sgt. Pepperâ™s Lonely Hearts Club Band |
The Beatles |
1967 |
| 2 |
Pet Sounds |
The Beach Boys |
1966 |
| 3 |
Revolver |
The Beatles |
1966 |
| 4 |
Highway 61 Revisited |
Áîá Äèëàí |
1965 |
| 5 |
Rubber Soul |
The Beatles |
1965 |
| 6 |
Whatâ™s Going On |
Ìàðâèí Ãýé |
1971 |
| 7 |
Exile on Main St. |
The Rolling Stones |
1972 |
| 8 |
London Calling |
The Clash |
1979 |
| 9 |
Blonde on Blonde |
Áîá Äèëàí |
1966 |
| 10 |
The Beatles |
The Beatles |
1968 |
| 11 |
The Sun Sessions |
Ýëâèñ Ïðåñëè |
1976 |
| 12 |
Kind of Blue |
Ìàéëñ Äåéâèñ |
1959 |
| 13 |
The Velvet Underground and Nico |
The Velvet Underground |
1967 |
| 14 |
Abbey Road |
The Beatles |
1969 |
| 15 |
Are You Experienced |
The Jimi Hendrix Experience |
1967 |
| 16 |
Blood on the Tracks |
Áîá Äèëàí |
1975 |
| 17 |
Nevermind |
Nirvana |
1991 |
| 18 |
Born to Run |
Áðþñ Ñïðèíãñòèí |
1975 |
| 19 |
Astral Weeks |
Âàí Ìîððèñîí |
1968 |
| 20 |
Thriller |
Ìàéêë Äæåêñîí |
1982 |
| 21 |
The Great Twenty-Eight |
×àê Áåððè |
1982 |
| 22 |
John Lennon/Plastic Ono Band |
Äæîí Ëåííîí |
1970 |
| 23 |
Innervisions |
Ñòèâè Óàíäåð |
1973 |
| 24 |
Live at the Apollo |
Äæåéìñ Áðàóí |
1963 |
| 25 |
Rumours |
Fleetwood Mac |
1977 |
| 26 |
The Joshua Tree |
U2 |
1987 |
| 27 |
King of the Delta Blues Singers |
Ðîáåðò Ëåðîé Äæîíñîí |
1961 |
| 28 |
Whoâ™s Next |
The Who |
1971 |
| 29 |
Led Zeppelin |
Led Zeppelin |
1969 |
| 30 |
Blue |
Äæîíè Ìèò÷åëë |
1971 |
| 31 |
Bringing It All Back Home |
Áîá Äèëàí |
1965 |
| 32 |
Let It Bleed |
The Rolling Stones |
1969 |
| 33 |
Ramones |
Ramones |
1976 |
| 34 |
Music from Big Pink |
The Band |
1972 |
| 35 |
The Rise and Fall of Ziggy Stardust and the Spiders from Mars |
Äýâèä Áîóè |
1972 |
| 36 |
Tapestry |
Êýðîë Êèíã |
1971 |
| 37 |
Hotel California |
Eagles |
1976 |
| 38 |
The Anthology (19471972) |
Ìàääè Óîòåðñ |
2001 |
| 39 |
Please Please Me |
The Beatles |
1963 |
| 40 |
Forever Changes |
Love |
1967 |
| 41 |
Never Mind the Bollocks, Hereâ™s the Sex Pistols |
Sex Pistols |
1977 |
| 42 |
The Doors |
The Doors |
1967 |
| 43 |
The Dark Side of the Moon |
Pink Floyd |
1973 |
| 44 |
Horses |
Ïàòòè Ñìèò |
1975 |
| 45 |
The Band |
The Band |
1969 |
| 46 |
Legend |
Áîá Ìàðëè è The Wailers |
1984 |
| 47 |
A Love Supreme |
Äæîí Êîëòðåéí |
1965 |
| 48 |
It Takes a Nation of Millions to Hold Us Back |
Public Enemy |
1988 |
| 49 |
At Fillmore East |
The Allman Brothers Band |
1971 |
| 50 |
Hereâ™s Little Richard |
Ëèòë Ðè÷àðä |
1957 |
| 51 |
Bridge over Troubled Water |
Simon and Garfunkel |
1970 |
| 52 |
Greatest Hits |
Ýë Ãðèí |
1975 |
| 53 |
The Birth of Soul |
Ðýé ×àðëüç |
1991 |
| 54 |
Electric Ladyland |
The Jimi Hendrix Experience |
1968 |
| 55 |
Elvis Presley |
Ýëâèñ Ïðåñëè |
1956 |
| 56 |
Songs in the Key of Life |
Ñòèâè Óàíäåð |
1976 |
| 57 |
Beggars Banquet |
The Rolling Stones |
1968 |
| 58 |
Trout Mask Replica |
Captain Beefheart and His Magic Band |
1969 |
| 59 |
Meet the Beatles! |
The Beatles |
1964 |
| 60 |
Greatest Hits |
Sly & the Family Stone |
1970 |
| 61 |
Appetite for Destruction |
Guns Nâ™ Roses |
1987 |
| 62 |
Achtung Baby |
U2 |
1991 |
| 63 |
Sticky Fingers |
The Rolling Stones |
1971 |
| 64 |
Back to Mono (19581969) |
Ôèë Ñïåêòîð |
1991 |
| 65 |
Moondance |
Âàí Ìîððèñîí |
1970 |
| 66 |
Led Zeppelin IV |
Led Zeppelin |
1971 |
| 67 |
The Stranger |
Áèëëè Äæîýë |
1977 |
| 68 |
Off the Wall |
Ìàéêë Äæåêñîí |
1979 |
| 69 |
Super Fly |
ʸðòèñ Ìýéôèëä |
1972 |
| 70 |
Physical Graffiti |
Led Zeppelin |
1975 |
| 71 |
After the Gold Rush |
Íèë ßíã |
1970 |
| 72 |
Purple Rain |
Ïðèíñ |
1984 |
| 73 |
Back in Black |
AC/DC |
1980 |
| 74 |
Otis Blue: Otis Redding Sings Soul |
Îòèñ Ðåääèíã |
1965 |
| 75 |
Led Zeppelin II |
Led Zeppelin |
1969 |
| 76 |
Imagine |
Äæîí Ëåííîí |
1971 |
| 77 |
The Clash |
The Clash |
1977 |
| 78 |
Harvest |
Íèë ßíã |
1972 |
| 79 |
Star Time |
Äæåéìñ Áðàóí |
1991 |
| 80 |
Odessey and Oracle |
The Zombies |
1968 |
| 81 |
Graceland |
Ïîë Ñàéìîí |
1986 |
| 82 |
Axis: Bold as Love |
The Jimi Hendrix Experience |
1967 |
| 83 |
I Never Loved a Man the Way I Love You |
Àðåòà Ôðàíêëèí |
1967 |
| 84 |
Lady Soul |
Àðåòà Ôðàíêëèí |
1968 |
| 85 |
Born in the U.S.A. |
Áðþñ Ñïðèíãñòèí |
1984 |
| 86 |
Let It Be |
The Beatles |
1970 |
| 87 |
The Wall |
Pink Floyd |
1979 |
| 88 |
At Folsom Prison |
Äæîííè Êýø |
1968 |
| 89 |
Dusty in Memphis |
Äàñòè Ñïðèíãôèëä |
1969 |
| 90 |
Talking Book |
Ñòèâè Óàíäåð |
1972 |
| 91 |
Goodbye Yellow Brick Road |
Ýëòîí Äæîí |
1973 |
| 92 |
20 Golden Greats |
Áàääè Õîëëè |
1978 |
| 93 |
Sign oâ™ the Times |
Ïðèíñ |
1987 |
| 94 |
Bitches Brew |
Ìàéëñ Äåéâèñ |
1970 |
| 95 |
Green River |
Creedence Clearwater Revival |
1969 |
| 96 |
Tommy |
The Who |
1969 |
| 97 |
The Freewheelinâ™ Bob Dylan |
Áîá Äèëàí |
1963 |
| 98 |
This Yearâ™s Model |
Ýëâèñ Êîñòåëëî è The Attractions |
1978 |
| 99 |
Thereâ™s a Riot Goinâ™ On |
Sly & the Family Stone |
1971 |
| 100 |
In the Wee Small Hours |
Ôðýíê Ñèíàòðà |
1955 |
| 101 |
Fresh Cream |
Cream |
1966 |
| 102 |
Giant Steps |
Äæîí Êîëòðåéí |
1960 |
| 103 |
Sweet Baby James |
Äæåéìñ Òåéëîð |
1970 |
| 104 |
Modern Sounds in Country and Western Music |
Ðýé ×àðëüç |
1962 |
| 105 |
Rocket to Russia |
Ramones |
1977 |
| 106 |
Portrait of a Legend: 19511964 |
Ñýì Êóê |
2003 |
| 107 |
Hunky Dory |
Äýâèä Áîóè |
1971 |
| 108 |
Aftermath |
The Rolling Stones |
1966 |
| 109 |
Loaded |
The Velvet Underground |
1970 |
| 110 |
The Bends |
Radiohead |
1995 |
| 111 |
Court and Spark |
Äæîíè Ìèò÷åëë |
1974 |
| 112 |
Disraeli Gears |
Cream |
1967 |
| 113 |
The Who Sell Out |
The Who |
1967 |
| 114 |
Out of Our Heads |
The Rolling Stones |
1965 |
| 115 |
Layla and Other Assorted Love Songs |
Derek and the Dominos |
1970 |
| 116 |
At Last! |
Ýòòà Äæåéìñ |
1961 |
| 117 |
Sweetheart of the Rodeo |
The Byrds |
1968 |
| 118 |
Stand! |
Sly & the Family Stone |
1969 |
| 119 |
The Harder They Come |
Ðàçíûå èñïîëíèòåëè |
1972 |
| 120 |
Raising Hell |
Run-D.M.C. |
1986 |
| 121 |
Moby Grape |
Moby Grape |
1967 |
| 122 |
Pearl |
Äæåíèñ Äæîïëèí |
1971 |
| 123 |
Catch a Fire |
The Wailers |
1973 |
| 124 |
Younger Than Yesterday |
The Byrds |
1967 |
| 125 |
Raw Power |
The Stooges |
1973 |
| 126 |
Remain in Light |
Talking Heads |
1980 |
| 127 |
If You Can Believe Your Eyes and Ears |
The Mamas & the Papas |
1966 |
| 128 |
Marquee Moon |
Television |
1977 |
| 129 |
40 Greatest Hits |
Õýíê Óèëüÿìñ |
1978 |
| 130 |
Paranoid |
Black Sabbath |
1970 |
| 131 |
Saturday Night Fever |
Ðàçíûå èñïîëíèòåëè |
1977 |
| 132 |
The Wild, the Innocent & the E Street Shuffle |
Áðþñ Ñïðèíãñòèí |
1973 |
| 133 |
Ready to Die |
The Notorious B.I.G |
1994 |
| 134 |
Slanted and Enchanted |
Pavement |
1992 |
| 135 |
Elton Johnâ™s Greatest Hits |
Ýëòîí Äæîí |
1974 |
| 136 |
Tim |
The Replacements |
1985 |
| 137 |
The Chronic |
Dr. Dre |
1992 |
| 138 |
Rejuvenation |
The Meters |
1974 |
| 139 |
All That You Canâ™t Leave Behind |
U2 |
2000 |
| 140 |
Parallel Lines |
Blondie |
1978 |
| 141 |
Live at the Regal |
Áè Áè Êèíã |
1965 |
| 142 |
A Christmas Gift for You |
Ôèë Ñïåêòîð |
1963 |
| 143 |
Gris-Gris |
Äîêòîð Äæîí |
1968 |
| 144 |
Straight Outta Compton |
N.W.A |
1988 |
| 145 |
Aja |
Steely Dan |
1977 |
| 146 |
Surrealistic Pillow |
Jefferson Airplane |
1967 |
| 147 |
Dreams to Remember: The Otis Redding Anthology |
Îòèñ Ðåääèíã |
1998 |
| 148 |
Déjà Vu |
Crosby, Stills, Nash & Young |
1970 |
| 149 |
Houses of the Holy |
Led Zeppelin |
1973 |
| 150 |
Santana |
Êàðëîñ Ñàíòàíà |
1969 |
| 151 |
Darkness on the Edge of Town |
Áðþñ Ñïðèíãñòèí |
1978 |
| 152 |
The B-52â™s |
The B-52's |
1979 |
| 153 |
Moanin' in the Moonlight |
Õàóëèí Âóëô |
1962 |
| 154 |
The Low End Theory |
A Tribe Called Quest |
1991 |
| 155 |
Pretenders |
The Pretenders |
1980 |
| 156 |
Paul's Boutique |
Beastie Boys |
1989 |
| 157 |
Closer |
Joy Division |
1980 |
| 158 |
Captain Fantastic and the Brown Dirt Cowboy |
Ýëòîí Äæîí |
1975 |
| 159 |
Alive! |
Kiss |
1975 |
| 160 |
Electric Warrior |
T. Rex |
1971 |
| 161 |
The Dock of the Bay |
Îòèñ Ðåääèíã |
1968 |
| 162 |
OK Computer |
Radiohead |
1997 |
| 163 |
1999 |
Ïðèíñ |
1982 |
| 164 |
Heart Like a Wheel |
Ëèíäà Ðîíñòàäò |
1974 |
| 165 |
Letâ™s Get It on |
Ìàðâèí Ãýé |
1973 |
| 166 |
Imperial Bedroom |
Ýëâèñ Êîñòåëëî |
1982 |
| 167 |
Master of Puppets |
Metallica |
1986 |
| 168 |
My Aim Is True |
Ýëâèñ Êîñòåëëî |
1977 |
| 169 |
Exodus |
Áîá Ìàðëè è The Wailers |
1977 |
| 170 |
Live at Leeds |
The Who |
1970 |
| 171 |
The Notorious Byrd Brothers |
The Byrds |
1968 |
| 172 |
Every Picture Tells a Story |
Ðîä Ñòþàðò |
1971 |
| 173 |
Something/Anything? |
Òîää Ðàíäãðåí |
1972 |
| 174 |
Desire |
Áîá Äèëàí |
1976 |
| 175 |
Close to You |
The Carpenters |
1970 |
| 176 |
Rocks |
Aerosmith |
1976 |
| 177 |
One Nation Under a Groove |
Parliament-Funkadelic |
1978 |
| 178 |
The Byrds' Greatest Hits |
The Byrds |
1967 |
| 179 |
The Anthology 19611977 |
ʸðòèñ Ìýéôèëä è The Impressions |
1992 |
| 180 |
The Definitive Collection |
ABBA |
2001 |
| 181 |
The Rolling Stones, Now! |
The Rolling Stones |
1965 |
| 182 |
Natty Dread |
Áîá Ìàðëè è The Wailers |
1974 |
| 183 |
Fleetwood Mac |
Fleetwood Mac |
1968 |
| 184 |
Red Headed Stranger |
Âèëëè Íåëüñîí |
1975 |
| 185 |
The Stooges |
The Stooges |
1969 |
| 186 |
Fresh |
Sly & the Family Stone |
1973 |
| 187 |
So |
Ïèòåð Ãýáðèýë |
1986 |
| 188 |
Buffalo Springfield Again |
Buffalo Springfield |
1967 |
| 189 |
Happy Trails |
Quicksilver Messenger Service |
1969 |
| 190 |
From Elvis in Memphis |
Ýëâèñ Ïðåñëè |
1969 |
| 191 |
Fun House |
The Stooges |
1970 |
| 192 |
The Gilded Palace of Sin |
Flying Burrito Brothers |
1969 |
| 193 |
Dookie |
Green Day |
1994 |
| 194 |
Transformer |
Ëó Ðèä |
1972 |
| 195 |
Blues Breakers with Eric Clapton |
John Mayallâ™s Bluesbreakers |
1966 |
| 196 |
Nuggets: Original Artyfacts from the First Psychedelic Era, 19651968 |
Ðàçíûå èñïîëíèòåëè |
1972 |
| 197 |
Murmur |
R.E.M. |
1983 |
| 198 |
Best of Little Walter |
Ëèòòë Óîëòåð |
1964 |
| 199 |
Highway to Hell |
AC/DC |
1979 |
| 200 |
The Downward Spiral |
Nine Inch Nails |
1994 |
| 201 |
Parsley, Sage, Rosemary and Thyme |
Simon and Garfunkel |
1966 |
| 202 |
Bad |
Ìàéêë Äæåêñîí |
1987 |
| 203 |
Wheels of Fire |
Cream |
1968 |
| 204 |
Dirty Mind |
Ïðèíñ |
1980 |
| 205 |
Abraxas |
Êàðëîñ Ñàíòàíà |
1970 |
| 206 |
Tea for the Tillerman |
Êýò Ñòèâåíñ |
1970 |
| 207 |
Ten |
Pearl Jam |
1991 |
| 208 |
Everybody Knows This Is Nowhere |
Íèë ßíã ñîâìåñòíî ñ Crazy Horse |
1969 |
| 209 |
Wish You Were Here |
Pink Floyd |
1975 |
| 210 |
Crooked Rain, Crooked Rain |
Pavement |
1994 |
| 211 |
Tattoo You |
The Rolling Stones |
1981 |
| 212 |
Proud Mary: The Best of Ike & Tina Turner |
Àéê è Òèíà Ò¸ðíåð |
1971 |
| 213 |
New York Dolls |
New York Dolls |
1973 |
| 214 |
Go Bo Diddley |
Áî Äèääëè |
1959 |
| 215 |
Two Steps from the Blues |
Áîááè Áëýíä |
1961 |
| 216 |
The Queen Is Dead |
The Smiths |
1986 |
| 217 |
Licensed to Ill |
Beastie Boys |
1986 |
| 218 |
Look-Ka Py Py |
The Meters |
1969 |
| 219 |
Loveless |
My Bloody Valentine |
1991 |
| 220 |
New Orleans Piano |
Professor Longhair |
1972 |
| 221 |
War |
U2 |
1983 |
| 222 |
The Neil Diamond Collection |
Íèë Äàéìîíä |
1999 |
| 223 |
Howlinâ™ Wolf |
Õàóëèí Âóëô |
1962 |
| 224 |
Nebraska |
Áðþñ Ñïðèíãñòèí |
1982 |
| 225 |
The Complete Hank Williams |
Õýíê Óèëüÿìñ |
1998 |
| 226 |
Doolittle |
Pixies |
1989 |
| 227 |
Paid in Full |
Eric B. & Rakim |
1987 |
| 228 |
Toys in the Attic |
Aerosmith |
1975 |
| 229 |
Nick of Time |
Áîííè Ðýéòò |
1989 |
| 230 |
A Night at the Opera |
Queen |
1975 |
| 231 |
The Kink Kronikles |
The Kinks |
1972 |
| 232 |
Mr. Tambourine Man |
The Byrds |
1965 |
| 233 |
Bookends |
Simon and Garfunkel |
1968 |
| 234 |
The Ultimate Collection |
Ïýòñè Êëàéí |
1998 |
| 235 |
Mr. Excitement! |
Äæåêè Óèëñîí |
1992 |
| 236 |
The Who Sings My Generation |
The Who |
1965 |
| 237 |
Like a Prayer |
Ìàäîííà |
1989 |
| 238 |
Canâ™t Buy a Thrill |
Steely Dan |
1972 |
| 239 |
Let It Be |
The Replacements |
1984 |
| 240 |
Run-D.M.C. |
Run-D.M.C. |
1984 |
| 241 |
Black Sabbath |
Black Sabbath |
1970 |
| 242 |
All Killer, No Filler: The Anthology |
Äæåððè Ëè Ëüþèñ |
1993 |
| 243 |
Freak Out! |
The Mothers of Invention |
1966 |
| 244 |
Live/Dead |
The Grateful Dead |
1969 |
| 245 |
Bryter Layter |
Íèê Äðåéê |
1970 |
| 246 |
The Shape of Jazz to Come |
Îðíåòò Êîóëìàí |
1959 |
| 247 |
Automatic for the People |
R.E.M. |
1992 |
| 248 |
Reasonable Doubt |
Jay-Z |
1996 |
| 249 |
Low |
Äýâèä Áîóè |
1977 |
| 250 |
The River |
Áðþñ Ñïðèíãñòèí |
1980 |
| 251 |
Complete & Unbelievable: The Otis Redding Dictionary of Soul |
Îòèñ Ðåääèíã |
1966 |
| 252 |
Metallica |
Metallica |
1991 |
| 253 |
Trans-Europa Express |
Kraftwerk |
1977 |
| 254 |
Whitney Houston |
Óèòíè Õüþñòîí |
1985 |
| 255 |
The Kinks Are the Village Green Preservation Society |
The Kinks |
1968 |
| 256 |
The Velvet Rope |
Äæàíåò Äæåêñîí |
1997 |
| 257 |
Stardust |
Âèëëè Íåëüñîí |
1978 |
| 258 |
American Beauty |
The Grateful Dead |
1970 |
| 259 |
Crosby, Stills & Nash |
Crosby, Stills, Nash & Young |
1969 |
| 260 |
Buena Vista Social Club |
Buena Vista Social Club |
1997 |
| 261 |
Tracy Chapman (àëüáîì) |
Òðýéñè ×ýïìåí |
1988 |
| 262 |
Workingmanâ™s Dead |
The Grateful Dead |
1970 |
| 263 |
The Genius of Ray Charles |
Ðýé ×àðëüç |
1959 |
| 264 |
Child Is Father to the Man |
Blood, Sweat & Tears |
1968 |
| 265 |
Cosmoâ™s Factory |
Creedence Clearwater Revival |
1970 |
| 266 |
Quadrophenia |
The Who |
1973 |
| 267 |
There Goes Rhyminâ™ Simon |
Ïîë Ñàéìîí |
1973 |
| 268 |
Psychocandy |
The Jesus and Mary Chain |
1985 |
| 269 |
Some Girls |
The Rolling Stones |
1978 |
| 270 |
The Beach Boys Today! |
The Beach Boys |
1965 |
| 271 |
Going to a Go-Go |
Ñìîêè Ðîáèíñîí è The Miracles |
1965 |
| 272 |
Nightbirds |
Labelle |
1974 |
| 273 |
The Slim Shady LP |
Ýìèíåì |
1999 |
| 274 |
Mothership Connection |
Parliament |
1975 |
| 275 |
Janet Jacksonâ™s Rhythm Nation 1814 |
Äæàíåò Äæåêñîí |
1989 |
| 276 |
Anthology of American Folk Music |
Ðàçíûå èñïîëíèòåëè |
1952 |
| 277 |
Aladdin Sane |
Äýâèä Áîóè |
1973 |
| 278 |
The Immaculate Collection |
Ìàäîííà |
1990 |
| 279 |
My Life |
Ìýðè Äæåé Áëàéäæ |
1994 |
| 280 |
Folk Singer |
Ìàääè Óîòåðñ |
1964 |
| 281 |
Canâ™t Get Enough |
Áàððè Óàéò |
1974 |
| 282 |
The Cars |
The Cars |
1978 |
| 283 |
Five Leaves Left |
Íèê Äðåéê |
1969 |
| 284 |
Music of My Mind |
Ñòèâè Óàíäåð |
1972 |
| 285 |
I'm Still in Love With You |
Ýë Ãðèí |
1972 |
| 286 |
Los Angeles |
X |
1980 |
| 287 |
Anthem Of The Sun |
The Grateful Dead |
1968 |
| 288 |
Something Else by The Kinks |
The Kinks |
1967 |
| 289 |
Call Me |
Ýë Ãðèí |
1973 |
| 290 |
Talking Heads: 77 |
Talking Heads |
1977 |
| 291 |
The Basement Tapes |
Áîá Äèëàí è The Band |
1975 |
| 292 |
White Light/White Heat |
The Velvet Underground |
1968 |
| 293 |
Simon and Garfunkelâ™s Greatest Hits |
Simon and Garfunkel |
1972 |
| 294 |
Kick Out the Jams |
MC5 |
1969 |
| 295 |
Meat Is Murder |
The Smiths |
1985 |
| 296 |
Weâ™re Only in It for the Money |
The Mothers of Invention |
1968 |
| 297 |
Weezer (Blue Album) |
Weezer |
1994 |
| 298 |
Master of Reality |
Black Sabbath |
1971 |
| 299 |
Coat of Many Colors |
Äîëëè Ïàðòîí |
1971 |
| 300 |
Fear of a Black Planet |
Public Enemy |
1990 |
| 301 |
John Wesley Harding |
Áîá Äèëàí |
1967 |
| 302 |
The Marshall Mathers LP |
Ýìèíåì |
2000 |
| 303 |
Grace |
Äæåô Áàêëè |
1994 |
| 304 |
Car Wheels on a Gravel Road |
Ëþñèíäà Óèëüÿìñ |
1998 |
| 305 |
Odelay |
Áåê Õýíñåí |
1996 |
| 306 |
Songs for Swingin' Lovers! |
Ôðýíê Ñèíàòðà |
1956 |
| 307 |
Avalon |
Roxy Music |
1982 |
| 308 |
The Sun Records Collection |
Ðàçíûå èñïîëíèòåëè |
1994 |
| 309 |
Nothing's Shocking |
Janeâ™s Addiction |
1988 |
| 310 |
Blood Sugar Sex Magik |
Red Hot Chili Peppers |
1991 |
| 311 |
MTV Unplugged in New York |
Nirvana |
1994 |
| 312 |
The Miseducation of Lauryn Hill |
Ëîðèí Õèëë |
1998 |
| 313 |
Damn the Torpedoes |
Òîì Ïåòòè è The Heartbreakers |
1979 |
| 314 |
The Velvet Underground |
The Velvet Underground |
1969 |
| 315 |
Surfer Rosa |
Pixies |
1988 |
| 316 |
Rock Steady |
No Doubt |
2001 |
| 317 |
The Eminem Show |
Ýìèíåì |
2002 |
| 318 |
Back Stabbers |
The Oâ™Jays |
1972 |
| 319 |
Burnin' |
Áîá Ìàðëè è The Wailers |
1973 |
| 320 |
Pink Moon |
Íèê Äðåéê |
1972 |
| 321 |
Sail Away |
Ðýíäè Íüþìàí |
1972 |
| 322 |
Ghost in the Machine |
The Police |
1981 |
| 323 |
Station to Station |
Äýâèä Áîóè |
1976 |
| 324 |
The Very Best of Linda Ronstadt |
Ëèíäà Ðîíñòàäò |
2003 |
| 325 |
Slowhand |
Ýðèê Êëýïòîí |
1977 |
| 326 |
Disintegration |
The Cure |
1989 |
| 327 |
Jagged Little Pill |
Àëàíèñ Ìîðèññåòò |
1995 |
| 328 |
Exile in Guyville |
Ëèç Ôýéð |
1993 |
| 329 |
Daydream Nation |
Sonic Youth |
1988 |
| 330 |
In the Jungle Groove |
Äæåéìñ Áðàóí |
1986 |
| 331 |
Tonightâ™s the Night |
Íèë ßíã |
1975 |
| 332 |
Help! |
The Beatles |
1965 |
| 333 |
Shoot Out the Lights |
Ðè÷àðä è Ëèíäà Òîìïñîí |
1982 |
| 334 |
Wild Gift |
X |
1981 |
| 335 |
Squeezing Out Sparks |
Ãðýì Ïàðêåð |
1979 |
| 336 |
Superunknown |
Soundgarden |
1994 |
| 337 |
Aqualung |
Jethro Tull |
1971 |
| 338 |
Cheap Thrills |
Big Brother and the Holding Company |
1968 |
| 339 |
The Heart of Saturday Night |
Òîì Óýéòñ |
1974 |
| 340 |
Damaged |
Black Flag |
1981 |
| 341 |
Play |
Ìîáè |
1999 |
| 342 |
Violator |
Depeche Mode |
1990 |
| 343 |
Bat Out of Hell |
Ìèò Ëîóô |
1977 |
| 344 |
Berlin |
Ëó Ðèä |
1973 |
| 345 |
Stop Making Sense |
Talking Heads |
1984 |
| 346 |
3 Feet High and Rising |
De La Soul |
1989 |
| 347 |
The Piper at the Gates of Dawn |
Pink Floyd |
1967 |
| 348 |
At Newport 1960 |
Ìàääè Óîòåðñ |
1960 |
| 349 |
Roger the Engineer |
The Yardbirds |
1966 |
| 350 |
Rust Never Sleeps |
Íèë ßíã è Crazy Horse |
1979 |
| 351 |
Brothers in Arms |
Dire Straits |
1985 |
| 352 |
52nd Street |
Áèëëè Äæîýë |
1978 |
| 353 |
Having a Rave Up |
The Yardbirds |
1966 |
| 354 |
12 Songs |
Ðýíäè Íüþìàí |
1970 |
| 355 |
Between the Buttons |
The Rolling Stones |
1967 |
| 356 |
Sketches of Spain |
Ìàéëñ Äåéâèñ |
1960 |
| 357 |
Honky Château |
Ýëòîí Äæîí |
1972 |
| 358 |
Singles Going Steady |
Buzzcocks |
1979 |
| 359 |
Stankonia |
OutKast |
2000 |
| 360 |
Siamese Dream |
The Smashing Pumpkins |
1993 |
| 361 |
Substance |
New Order |
1987 |
| 362 |
L. A. Woman |
The Doors |
1971 |
| 363 |
Ray of Light |
Ìàäîííà |
1998 |
| 364 |
American Recordings |
Äæîííè Êýø |
1994 |
| 365 |
Louder Than Bombs |
The Smiths |
1987 |
| 366 |
Mott |
Mott the Hoople |
1973 |
| 367 |
Is This It |
The Strokes |
2001 |
| 368 |
Rage Against the Machine |
Rage Against the Machine |
1992 |
| 369 |
Reggatta De Blanc |
The Police |
1979 |
| 370 |
Volunteers |
Jefferson Airplane |
1969 |
| 371 |
Siren |
Roxy Music |
1975 |
| 372 |
Late for the Sky |
Äæåêñîí Áðàóí |
1974 |
| 373 |
Post |
Áüîðê |
1995 |
| 374 |
Eagles |
Eagles |
1972 |
| 375 |
The Ultimate Collection |
Äæîí Ëè Õóêåð |
1991 |
| 376 |
(Whatâ™s the Story) Morning Glory? |
Oasis |
1995 |
| 377 |
CrazySexyCool |
TLC |
1994 |
| 378 |
Funky Kingston |
Toots and the Maytals |
1973 |
| 379 |
Greetings from Asbury Park, N.J. |
Áðþñ Ñïðèíãñòèí |
1973 |
| 380 |
Sunflower |
The Beach Boys |
1970 |
| 381 |
The Modern Lovers |
The Modern Lovers |
1976 |
| 382 |
More Songs About Buildings and Food |
Talking Heads |
1978 |
| 383 |
A Quick One |
The Who |
1966 |
| 384 |
Pyromania |
Def Leppard |
1983 |
| 385 |
Pretzel Logic |
Steely Dan |
1974 |
| 386 |
Enter the Wu-Tang (36 Chambers) |
Wu-Tang Clan |
1993 |
| 387 |
Country Life |
Roxy Music |
1974 |
| 388 |
A Hard Dayâ™s Night |
The Beatles |
1964 |
| 389 |
The End of the Innocence |
Äîí Õåíëè |
1989 |
| 390 |
Elephant |
The White Stripes |
2003 |
| 391 |
The Pretender |
Äæåêñîí Áðàóí |
1976 |
| 392 |
Willy and the Poor Boys |
Creedence Clearwater Revival |
1969 |
| 393 |
Good Old Boys |
Ðýíäè Íüþìàí |
1974 |
| 394 |
For Your Pleasure |
Roxy Music |
1973 |
| 395 |
Blue Lines |
Massive Attack |
1991 |
| 396 |
Eliminator |
ZZ Top |
1983 |
| 397 |
Rain Dogs |
Òîì Óýéòñ |
1985 |
| 398 |
Anthology |
The Temptations |
1986 |
| 399 |
Californication |
Red Hot Chili Peppers |
1999 |
| 400 |
Illmatic |
Nas |
1994 |
| 401 |
(pronounced 'lĕh-'nérd 'skin-'nérd) |
Lynyrd Skynyrd |
1973 |
| 402 |
Dr. John's Gumbo |
Äîêòîð Äæîí |
1972 |
| 403 |
Radio City |
Big Star |
1974 |
| 404 |
Sandinista! |
The Clash |
1980 |
| 405 |
Rid of Me |
Ïè Äæåé Õàðâè |
1993 |
| 406 |
I Do Not Want What I Haven't Got |
Øèíåéä Îâ™Êîííîð |
1990 |
| 407 |
Strange Days |
The Doors |
1967 |
| 408 |
Time Out of Mind |
Áîá Äèëàí |
1997 |
| 409 |
461 Ocean Boulevard |
Ýðèê Êëýïòîí |
1974 |
| 410 |
Pink Flag |
Wire |
1977 |
| 411 |
Double Nickels on the Dime |
Minutemen |
1984 |
| 412 |
Mezzanine |
Massive Attack |
1998 |
| 413 |
Beauty and the Beat |
The Go-Goâ™s |
1981 |
| 414 |
20 All-Time Greatest Hits! |
Äæåéìñ Áðàóí |
1991 |
| 415 |
Van Halen |
Van Halen |
1978 |
| 416 |
Mule Variations |
Òîì Óýéòñ |
1999 |
| 417 |
Boy |
U2 |
1980 |
| 418 |
Band on the Run |
Ïîë Ìàêêàðòíè è Wings |
1973 |
| 419 |
Dummy |
Portishead |
1994 |
| 420 |
With The Beatles |
The Beatles |
1963 |
| 421 |
The âChirpingâ Crickets |
Áàääè Õîëëè è The Crickets |
1957 |
| 422 |
The Best of the Girl Groups |
Ðàçíûå èñïîëíèòåëè |
1990 |
| 423 |
Greatest Hits |
The Mamas & the Papas |
1970 |
| 424 |
King of the Delta Blues Singers, Vol. II |
Ðîáåðò Ëåðîé Äæîíñîí |
1970 |
| 425 |
ChangesOneBowie |
Äýâèä Áîóè |
1976 |
| 426 |
The Battle of Los Angeles |
Rage Against the Machine |
1999 |
| 427 |
Presenting the Fabulous Ronettes featuring Veronica |
The Ronettes |
1964 |
| 428 |
Kid A |
Radiohead |
2000 |
| 429 |
Grievous Angel |
Gram Parsons |
1974 |
| 430 |
Cheap Trick at Budokan |
Cheap Trick |
1979 |
| 431 |
The 70s Anthology |
Äàéàíà Ðîññ è The Supremes |
2002 |
| 432 |
Sleepless |
Ïèòåð Âóëô |
2002 |
| 433 |
Another Green World |
Áðàéàí Èíî |
1975 |
| 434 |
Outlandos dâ™Amour |
The Police |
1978 |
| 435 |
To Bring You My Love |
Ïè Äæåé Õàðâè |
1995 |
| 436 |
Here Come the Warm Jets |
Áðàéàí Èíî |
1973 |
| 437 |
All Things Must Pass |
Äæîðäæ Õàððèñîí |
1970 |
| 438 |
#1 Record |
Big Star |
1972 |
| 439 |
In Utero |
Nirvana |
1993 |
| 440 |
Sea Change |
Áåê Õýíñåí |
2002 |
| 441 |
Tragic Kingdom |
No Doubt |
1995 |
| 442 |
Boys Donâ™t Cry |
The Cure |
1980 |
| 443 |
Live at the Harlem Square Club, 1963 |
Ñýì Êóê |
1985[4] |
| 444 |
Criminal Minded |
Boogie Down Productions |
1987 |
| 445 |
Rum, Sodomy, and the Lash |
The Pogues |
1985 |
| 446 |
Suicide |
Suicide |
1977 |
| 447 |
Q: Are We Not Men? A: We Are Devo! |
Devo |
1978 |
| 448 |
In Color |
Cheap Trick |
1977 |
| 449 |
The World Is a Ghetto |
War |
1972 |
| 450 |
Fly Like an Eagle |
Steve Miller Band |
1976 |
| 451 |
Back in the USA |
MC5 |
1970 |
| 452 |
Music |
Ìàäîííà |
2000 |
| 453 |
Ritual de lo Habitual |
Janeâ™s Addiction |
1990 |
| 454 |
Getz/Gilberto |
Ñòýí Ãåòö, Æóàí Æèëáåðòó, Àíòîíèî Êàðëîñ Æîáèí |
1964 |
| 455 |
Synchronicity |
The Police |
1983 |
| 456 |
Third/Sister Lovers |
Big Star |
1978 |
| 457 |
For Everyman |
Äæåêñîí Áðàóí |
1973 |
| 458 |
John Prine |
Äæîí Ïðàéí |
1971 |
| 459 |
Strictly Business |
EPMD |
1988 |
| 460 |
Love It to Death |
Ýëèñ Êóïåð |
1971 |
| 461 |
How Will the Wolf Survive? |
Los Lobos |
1984 |
| 462 |
Here, My Dear |
Ìàðâèí Ãýé |
1978 |
| 463 |
Tumbleweed Connection |
Ýëòîí Äæîí |
1970 |
| 464 |
The Blueprint |
Jay-Z |
2001 |
| 465 |
Golden Hits |
The Drifters |
1968 |
| 466 |
Live Through This |
Hole |
1994 |
| 467 |
Love and Theft |
Áîá Äèëàí |
2001 |
| 468 |
Elton John |
Ýëòîí Äæîí |
1970 |
| 469 |
Metal Box |
Public Image Ltd |
1979 |
| 470 |
Document |
R.E.M. |
1987 |
| 471 |
Heaven Up Here |
Echo & the Bunnymen |
1981 |
| 472 |
Hysteria |
Def Leppard |
1987 |
| 473 |
A Rush of Blood to the Head |
Coldplay |
2002 |
| 474 |
Live in Europe |
Îòèñ Ðåääèíã |
1967 |
| 475 |
Tunnel of Love |
Áðþñ Ñïðèíãñòèí |
1987 |
| 476 |
The Paul Butterfield Blues Band |
The Paul Butterfield Blues Band |
1965 |
| 477 |
The Score |
The Fugees |
1996 |
| 478 |
Radio |
LL Cool J |
1985 |
| 479 |
I Want to See the Bright Lights Tonight |
Ðè÷àðä è Ëèíäà Òîìïñîí |
1974 |
| 480 |
Faith |
Äæîðäæ Ìàéêë |
1987 |
| 481 |
The Smiths |
The Smiths |
1984 |
| 482 |
Armed Forces |
Ýëâèñ Êîñòåëëî è The Attractions |
1979 |
| 483 |
Life After Death |
The Notorious B.I.G. |
1997 |
| 484 |
Branded Man |
Ìåðë Õàããàðä |
1967 |
| 485 |
All Time Greatest Hits |
Ëîðåòòà Ëèíí |
2002 |
| 486 |
Maggot Brain |
Funkadelic |
1971 |
| 487 |
Mellon Collie and the Infinite Sadness |
The Smashing Pumpkins |
1995 |
| 488 |
Voodoo |
Dâ™Angelo |
2000 |
| 489 |
Guitar Town |
Ñòèâè Ýðë |
1986 |
| 490 |
Entertainment! |
Gang of Four |
1979 |
| 491 |
All the Young Dudes |
Mott the Hoople |
1972 |
| 492 |
Vitalogy |
Pearl Jam |
1994 |
| 493 |
Thatâ™s the Way of the World |
Earth, Wind & Fire |
1975 |
| 494 |
Sheâ™s So Unusual |
Ñèíäè Ëîïåð |
1983 |
| 495 |
New Day Rising |
Hüsker Dü |
1985 |
| 496 |
Destroyer |
Kiss |
1976 |
| 497 |
Yo! Bum Rush the Show |
Public Enemy |
1987 |
| 498 |
Tres Hombres |
ZZ Top |
1973 |
| 499 |
Born Under a Bad Sign |
Àëüáåðò Êèíã |
1967 |
| 500 |
Touch |
Eurythmics |
1983 |
| RS |
500 âåëè÷àéøèõ àëüáîìîâ âñåõ âðåì¸í ïî âåðñèè æóðíàëà Rolling Stone[1] |
